In Paris, in July, a raging mob had stormed the Bastille, provoking circumspect aristocrats to uproot themselves and take refuge abroad. While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation. "Is this Misther Wudd's, my pretty miss?" demanded the rough voice of the Irish watchman.
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