All his interest in Ruth, all his care and solicitude, could now be translated into a single word—love. "These writer chaps are queer birds. As he gazed down into the courts of the prison, he could not help shuddering, lest a false step might precipitate him below. Her secret thoughts made some hasty, half-hearted excursions into the possibility of telling the thing in romantic tones—Ramage was as a black villain, she as a white, fantastically white, maiden. To lose was death, quickly and mercilessly delivered. She was already a little prepared by her discursive reading and discussion under the Widgett influence for ideas and “movements,” though temperamentally perhaps she was rather disposed to resist and criticise than embrace them.
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