“We have to be— modern. " In the living room Spurlock's glance was constantly drawn toward Ruth; but in fear that she might sense something wrong, he walked over to the piano and struck a few chords. The only part of his otherwise-interesting countenance, to which one could decidedly object, was the mouth; a feature that, more than any other, is conceived to betray the animal propensities of the possessor. She was flushed, and her eyes were bright and angry; her breath came sobbing, and her hair was all abroad in wandering strands of black. It was a face that matched her body, so pure and beautiful that any man would have killed for her. I did not know what I was saying.
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